Master
of Deceit: J. Edgar Hoover and America in the Age of Lies
By Marc Aronson (Candlewick Press, Ages 12& Up,
$25.99)
“King, there is only one thing left for you to do….Take
it before your filthy, abnormal, fraudulent self is bared to the nation.” This is a demand Dr. Martin Luther King
received in an anonymous letter in 1964.
He believed the letter was telling him to commit suicide.
In a new book written for young adult audiences
(12& Up), Master of Deceit: J. Edgar Hoover and America in the Age of Lies Marc
Aronson notes that based on his research more than likely the letter was
written by William Sullivan, an assistant director of the FBI. Aronson, an
historian and member of the faculty at Rutgers writes compellingly about the mystique
and realities of J. Edgar Hoover. His book
presents facts supported by meticulously researched documentation including
memorandums from the FBI itself. From
mobsters to Masons and activists to actors, Hoover prided himself on having and
at times creating the “goods” on folk.
Through projects including the infamous COINTELPRO, the FBI infiltrated
organizations ranging from the Ku Klux Klan to the Communist Party and in 1967
began seeking informants in any black organization it could reach, especially
black nationalists groups. The Black
Panther Party was one of its prime targets.
I must say, I was somewhat perplexed that the book makes no mention of 1970s
revolutionary icon Angela Davis. But the
women’s liberation movement also was targeted by the Bureau.
Hoover really laid the blueprint for domestic spying
and how the land of lies emerged into conscripting global players. The “Age of Lies” has extended well into the
21st century and is now so deeply embedded in the culture. While
Hoover (a master architect of fear) may have hoodwinked the country into
believing he gave it the security needed, he held an unbridled power like none
other during his time. One of the key
features of the book focuses on a section in the Epilogue entitled “How I Researched and Wrote This Book.” It is crucial for books of this nature to be
set in context, for too many writers allow their words to wobble in the wind
without some sense of historical, social or cultural context. I could see Aronson’s book being used in discussions around Suzanne
Collins’ post-apocalyptic young adult novel and wildly popular film The
Hunger Games: Both intriguing
and reflective of where we’ve been and where we’re going as a country mired in a
mega cauldron of lies, historical revisionism and the illusion of security. J. Edgar just might be so proud of the fear
paradigm imbued in this country and now tangled in its own spymaster, techno-barbarism.
Daphne Muse msmusewriter@gmail.com
Daphnemuse.blogspot.com
